1998
Tara Donovan: Resonances, Hemphill Fine Arts. Washington, D.C., January 14–February 14, 1998.
Tara Donovan: New Sculpture, Reynolds Gallery, Richmond, Virginia, March 20–April 18, 1998.
Tara Donovan: New Sculpture, Reynolds Gallery, Richmond, Virginia, March 20–April 18, 1998.
1999–2000
Tara Donovan: Whorl, Hemicycle Gallery, Corcoran Gallery of Art, Washington, D.C., December 15, 1999–January 17, 2000. (Brochure; text by Paul Brewer)
2000–2001
Tara Donovan: Toothpicks 2000, Ace Gallery, Los Angeles, November 25, 2000–February 2001.
2001–2002
Tara Donovan: Colony, Project Room, Ace Gallery, New York, November 17, 2001–May 15, 2002. Traveled to: Ace Gallery, Los Angeles, May 26–September 28, 2002.
2003
Tara Donovan, Ace Gallery, New York, March 8–August 16, 2003.
Tara Donovan: Transplanted, The Sculpture Garden at 590 Madison Avenue, New York, August 23–
November 12, 2003.
November 12, 2003.
Tara Donovan: Drawings, Shaheen Modern and Contemporary Art, Cleveland, October 25–November 29, 2003.
Tara Donovan: Haze, Rice University Art Gallery, Houston, November 6–December 14, 2003 (Catalogue; text by Kimberly Davenport)
2003–2004
Curve Series: Tara Donovan, Museum of Contemporary Art, Cleveland, September 12, 2004
Curve Series: Tara Donovan, Museum of Contemporary Art, Cleveland, September 12, 2004
2004
The Augustus Saint-Gaudens Memorial, Cornish, New Hampshire, Summer 2004.
The Augustus Saint-Gaudens Memorial, Cornish, New Hampshire, Summer 2004.
Tara Donovan, Akira Ikeda Gallery, Berlin, May 7–June 26, 2004. (Catalogue)
Project Room: Glass Cube, Ace Gallery, Beverly Hills, 2004.
Hammer Projects: Tara Donovan, UCLA Hammer Museum, Los Angeles, May 23–September 5,
2004–2005
Tara Donovan, Museum of Contemporary Art, San Diego, September 26, 2004–May 15, 2005.
Tara Donovan, Museum of Contemporary Art, San Diego, September 26, 2004–May 15, 2005.
2005
Tara Donovan: Survey, Ace Gallery, Los Angeles, January 30–May 31, 2005.
Tara Donovan: Survey, Ace Gallery, Los Angeles, January 30–May 31, 2005.
2006
Tara Donovan: New Work, PaceWildenstein, 545 West 22nd Street, New York, March 11–April 22, 2006.
Tara Donovan: Rubber Band Drawings, PaceWildenstein, 534 West 25th Street, New York, July 11–August 25, 2006.
Currents 98: Tara Donovan, Saint Louis Art Museum, Missouri, September 15–November 26, 2006. Tara Donovan: Drawings and Sculpture, Barbara Krakow Gallery, Boston, October 21–November 29, 2006.
2006–2007
Tara Donovan: Colony, Berkeley Art Museum, University of California, Berkeley, July 28, 2006–April 15, 2007.
2007
Tara Donovan, Stephen Friedman Gallery, London, June 5–July 14, 2007.
Tara Donovan: Bubbles, Loops, & Spheres: Sculpture and Drawings, Greg Kucera Gallery, Seattle, July 5–August 25, 2007.
Tara Donovan: Bubbles, Loops, & Spheres: Sculpture and Drawings, Greg Kucera Gallery, Seattle, July 5–August 25, 2007.
2007–2008
Tara Donovan at the Met, The Metropolitan Museum of Art, New York, November 20, 2007–April 27
(extended through September 21), 2008.
Tara Donovan at the Met, The Metropolitan Museum of Art, New York, November 20, 2007–April 27
(extended through September 21), 2008.
2008–2010
Tara Donovan, Institute of Contemporary Art, Boston, October 10, 2008–January 4, 2009. Traveled to: Lois & Richard Rosenthal Center for Contemporary Art, Cincinnati, February 7–May 11, 2009; Des Moines Art Center, Iowa, June 19–September 13, 2009; Museum of Contemporary Art San Diego, October 25, 2009–February 28, 2010. (Catalogue; texts by Jen Mergel, Nicholas Baume and Lawrence Weschler)
Tara Donovan, Institute of Contemporary Art, Boston, October 10, 2008–January 4, 2009. Traveled to: Lois & Richard Rosenthal Center for Contemporary Art, Cincinnati, February 7–May 11, 2009; Des Moines Art Center, Iowa, June 19–September 13, 2009; Museum of Contemporary Art San Diego, October 25, 2009–February 28, 2010. (Catalogue; texts by Jen Mergel, Nicholas Baume and Lawrence Weschler)
2009
Tara Donovan: New Drawings, PaceWildenstein, New York, April 10–May 2, 2009.
Tara Donovan, Lever House, New York, May 7–September 5, 2009.
2010
Tara Donovan: Untitled, Indianapolis Museum of Art, Indiana, April 4–August 1, 2010.
Tara Donovan: Untitled, Indianapolis Museum of Art, Indiana, April 4–August 1, 2010.
2011
Tara Donovan: Drawings (Pins), The Pace Gallery. 510 West 25th Street, New York, February 12–March 19, 2011. (Catalogue)
Tara Donovan: Untitled (Mylar), 2011, The Pace Gallery, 545 West 22nd Street, New York, March 4–April 9, 2011.
Selected Group Exhibitions
1996
ArtSites 96, Maryland Art Place, Baltimore, May 29–July 27, 1996.
ArtSites 96, Maryland Art Place, Baltimore, May 29–July 27, 1996.
1997
Options 1997, Washington Project for the Arts/Corcoran, Washington, D.C., May 30–July 26, 1997.
What’s Hot, Baumgartner Galleries, Washington, D.C., June 28–September 20, 1997.
Options 1997, Washington Project for the Arts/Corcoran, Washington, D.C., May 30–July 26, 1997.
What’s Hot, Baumgartner Galleries, Washington, D.C., June 28–September 20, 1997.
1998
Simple Matter, Numark Gallery, Washington, D.C., July 16–August 15, 1998.
Jacob House Project, Richmond, Virginia, October–November 1998.
Simple Matter, Numark Gallery, Washington, D.C., July 16–August 15, 1998.
Jacob House Project, Richmond, Virginia, October–November 1998.
1999
Thesis Exhibition, Anderson Gallery, Richmond, Virginia, May 7–May 16, 1999.
Fresh Meat, Kim Foster Gallery, New York, June 5–July 3, 1999.
Thesis Exhibition, Anderson Gallery, Richmond, Virginia, May 7–May 16, 1999.
Fresh Meat, Kim Foster Gallery, New York, June 5–July 3, 1999.
2000
2000 Biennial Exhibition, Whitney Museum of American Art, New York, March 23–June 4, 2000. (Catalogue)
Summer 00 New Prints, David Adamson Gallery, Washington, D.C., July 1–August 12, 2000.
De Tempore, Grand Arts, Kansas City, Missouri, November 3–December 16, 2000. (Catalogue)
Wild Life, Reynolds Gallery, Richmond, Virginia, October 13–November 25, 2000.
2000 Biennial Exhibition, Whitney Museum of American Art, New York, March 23–June 4, 2000. (Catalogue)
Summer 00 New Prints, David Adamson Gallery, Washington, D.C., July 1–August 12, 2000.
De Tempore, Grand Arts, Kansas City, Missouri, November 3–December 16, 2000. (Catalogue)
Wild Life, Reynolds Gallery, Richmond, Virginia, October 13–November 25, 2000.
2000–2001
Great Prints, Reynolds Gallery, Richmond, Virginia, December 8, 2000–January 27, 2001.
Great Prints, Reynolds Gallery, Richmond, Virginia, December 8, 2000–January 27, 2001.
2001
Tara Donovan and Jae Ko: Transcending Time, John Michael Kohler Arts Center, Sheboygan, Wisconsin, February 18–April 29, 2001. (Brochure; text by Leslie Umberger)
Passing Through: Women Artists in Brooklyn, Shaqab College of Design Arts, Doha Qatar, April 2001.
Un/Ruled, Exhibit A, New York, September 13–October 6, 2001.
Passing Through: Women Artists in Brooklyn, Shaqab College of Design Arts, Doha Qatar, April 2001.
Un/Ruled, Exhibit A, New York, September 13–October 6, 2001.
2001–2002
Print Matters: New Works and Modern Treasures, Virginia Museum of Fine Art, Richmond, March 27, 2001–January 6, 2002.
Print Matters: New Works and Modern Treasures, Virginia Museum of Fine Art, Richmond, March 27, 2001–January 6, 2002.
2001–2003
Under Pressure: Prints from Two Palms (traveling exhibition). Traveled to: Lyman Allyn Museum of Art, Connecticut College, New London, Connecticut, February 2–April 1, 2001; Schick Art Gallery, Skidmore College, Saratoga Springs, New York, July 12–September 16, 2001; Meadows Museum, Southern Methodist University, Dallas, October 22–December 8. 2001; University Gallery, University of Massachusetts, Amherst, February 2–March 16, 2002; Kent State University Art Gallery, Ohio, September 4–28, 2002; Arthur A. Houghton Jr. Gallery, Cooper Union, New York, January 21–February 21, 2003; Sonoma Museum of Visual Art, Santa Rosa, California, May 21–July 27, 2003. (Catalogue; text by Barry Schwabsky)
Under Pressure: Prints from Two Palms (traveling exhibition). Traveled to: Lyman Allyn Museum of Art, Connecticut College, New London, Connecticut, February 2–April 1, 2001; Schick Art Gallery, Skidmore College, Saratoga Springs, New York, July 12–September 16, 2001; Meadows Museum, Southern Methodist University, Dallas, October 22–December 8. 2001; University Gallery, University of Massachusetts, Amherst, February 2–March 16, 2002; Kent State University Art Gallery, Ohio, September 4–28, 2002; Arthur A. Houghton Jr. Gallery, Cooper Union, New York, January 21–February 21, 2003; Sonoma Museum of Visual Art, Santa Rosa, California, May 21–July 27, 2003. (Catalogue; text by Barry Schwabsky)
2002
Artists to Artists: A Decade of the Space Program, Ace Gallery, New York, May 17–June 1, 2002.
(Catalogue)
Accumulation, Clifford Smith Gallery, Boston, September 3–October 2002.
Ace Invitational, Ace Gallery, New York, October 4–November 2002.
Fictions in Wonderland, Reynolds Gallery, Richmond, Virginia, October 18–December 2002. (Catalogue)
Artists to Artists: A Decade of the Space Program, Ace Gallery, New York, May 17–June 1, 2002.
(Catalogue)
Accumulation, Clifford Smith Gallery, Boston, September 3–October 2002.
Ace Invitational, Ace Gallery, New York, October 4–November 2002.
Fictions in Wonderland, Reynolds Gallery, Richmond, Virginia, October 18–December 2002. (Catalogue)
2002–2003
Art on Paper, Weatherspoon Art Museum, University of North Carolina, Greensboro, November 19, 2002–January 19, 2003.
Art on Paper, Weatherspoon Art Museum, University of North Carolina, Greensboro, November 19, 2002–January 19, 2003.
2003
Bits ‘n’ Pieces, D.U.M.B.O. Art Center, Brooklyn, February 8–March 31, 2003.
Off the Beaten Track: Contemporary Mindscapes, Mead Art Museum, Amherst College, Massachusetts, September 9–December 18, 2003. (Catalogue)
Ace Invitational, Ace Gallery, Los Angeles, 2003.
Bits ‘n’ Pieces, D.U.M.B.O. Art Center, Brooklyn, February 8–March 31, 2003.
Off the Beaten Track: Contemporary Mindscapes, Mead Art Museum, Amherst College, Massachusetts, September 9–December 18, 2003. (Catalogue)
Ace Invitational, Ace Gallery, Los Angeles, 2003.
2004
The Reality of Things, Triple Candie, New York, April 30–July 11, 2004.
179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy of Design, New York, May 6–June 20, 2004. (Catalogue; text by Nancy Malloy)
The Reality of Things, Triple Candie, New York, April 30–July 11, 2004.
179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy of Design, New York, May 6–June 20, 2004. (Catalogue; text by Nancy Malloy)
Cleanliness, Sara Meltzer Gallery, New York, June 24–July 30, 2004.
Drawings, Plane Space, New York, July 1–31, 2004.
Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, 2004.
Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, 2004.
2004–2005
Sets, Barbara Krakow Gallery, Boston, December 11, 2004–February 2, 2005.
Sets, Barbara Krakow Gallery, Boston, December 11, 2004–February 2, 2005.
2005
Sets, Series, and Suites: Contemporary Prints, Museum of Fine Arts, Boston, January 19–May 30, 2005 (Catalogue)
Material Matters, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, January 22–March 20, 2005. (Catalogue)
Logical Conclusions: 40 Years of Rule-Based Art, PaceWildenstein, 534 West 25th Street, New York,
February 18–March 26, 2005. (Catalogue; text by Marc Glimcher)
Patterns and Grids, Pace Prints, New York, June 2–July 8, 2005.
Joan Mitchell Foundation: 1997–99 Grant Recipients, Cue Art Foundation, New York, June 16–July 30, 2005.
Ordering the Ordinary, Timothy Taylor Gallery, London, July 14–August 31, 2005.
Summer Group Show, PaceWildenstein, 534 West 25th Street, New York, July 14–August 25, 2005.
From the Berkus Collection, Atkinson Gallery, Santa Barbara City College, California, September 2–28, 2005.
Sculpture, Reynolds Gallery, Richmond, Virginia, September 9–October 15, 2005.
Nine Contemporary Sculptors: Fellows of the Saint-Gaudens Memorial, The UBS Gallery, New York,
September 22–December 2, 2005.
Sets, Series, and Suites: Contemporary Prints, Museum of Fine Arts, Boston, January 19–May 30, 2005 (Catalogue)
Material Matters, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, January 22–March 20, 2005. (Catalogue)
Logical Conclusions: 40 Years of Rule-Based Art, PaceWildenstein, 534 West 25th Street, New York,
February 18–March 26, 2005. (Catalogue; text by Marc Glimcher)
Patterns and Grids, Pace Prints, New York, June 2–July 8, 2005.
Joan Mitchell Foundation: 1997–99 Grant Recipients, Cue Art Foundation, New York, June 16–July 30, 2005.
Ordering the Ordinary, Timothy Taylor Gallery, London, July 14–August 31, 2005.
Summer Group Show, PaceWildenstein, 534 West 25th Street, New York, July 14–August 25, 2005.
From the Berkus Collection, Atkinson Gallery, Santa Barbara City College, California, September 2–28, 2005.
Sculpture, Reynolds Gallery, Richmond, Virginia, September 9–October 15, 2005.
Nine Contemporary Sculptors: Fellows of the Saint-Gaudens Memorial, The UBS Gallery, New York,
September 22–December 2, 2005.
2006
Some Kind of Wonderful: Recent Sculpture by James O. Clark and Tara Donovan, 95th Annual Exhibition,
Maier Museum of Art, Randolph-Macon Woman’s College, Lynchburg, Virginia, January 28–April 15, 2006. (Catalogue)
Some Kind of Wonderful: Recent Sculpture by James O. Clark and Tara Donovan, 95th Annual Exhibition,
Maier Museum of Art, Randolph-Macon Woman’s College, Lynchburg, Virginia, January 28–April 15, 2006. (Catalogue)
2006–2007
Personal Views: Regarding Private Collections in San Diego, San Diego Museum of Art, California, October 21, 2006–January 7, 2007. (Catalogue)
Aisle 5, Des Moines Art Center, Iowa, October 27, 2006–January 14, 2007. (Catalogue)
Burgeoning Geometries: Constructed Abstractions, Whitney Museum of American Art at Altria, New York, December 7, 2006–March 4, 2007.
Personal Views: Regarding Private Collections in San Diego, San Diego Museum of Art, California, October 21, 2006–January 7, 2007. (Catalogue)
Aisle 5, Des Moines Art Center, Iowa, October 27, 2006–January 14, 2007. (Catalogue)
Burgeoning Geometries: Constructed Abstractions, Whitney Museum of American Art at Altria, New York, December 7, 2006–March 4, 2007.
2007
Memory and Obsession, Stephen Friedman Gallery, London, January 24–February 24, 2007.
Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland,
Oregon, February 24–March 27, 2007.
Landscape at the Limit: Ingrid Calame, Tara Donovan, Matthew Picton, MJ Sharp, Paul Wackers & Dodi Wexler, Second Street Gallery, Charlottesville, Virginia, March 2–April 28, 2007. (Brochure; curated by Jonathan Stuhlman)
Contemporary Masterworks: Saint Louis Collects, Contemporary Art Museum, St. Louis, Missouri, April 7–June 11, 2006.
The 239th Royal Academy of Arts Summer Exhibition, Royal Academy of Arts, London, June 11–August 19, 2007. (Catalogue)
Light Time and Three Dimensions, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.
What’s Your Hobby, The Fireplace Project, East Hampton, New York, August 11–29, 2007.
Contemporary, Cool and Collected, Mint Museum of Art, Charlotte, North Carolina, October 20–December 30, 2007. (Catalogue; text by Robert Hobbs)
Visions of Concern, Daniel Weinberg Collection, Chicago, October 26–December 29, 2007.
Memory and Obsession, Stephen Friedman Gallery, London, January 24–February 24, 2007.
Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland,
Oregon, February 24–March 27, 2007.
Landscape at the Limit: Ingrid Calame, Tara Donovan, Matthew Picton, MJ Sharp, Paul Wackers & Dodi Wexler, Second Street Gallery, Charlottesville, Virginia, March 2–April 28, 2007. (Brochure; curated by Jonathan Stuhlman)
Contemporary Masterworks: Saint Louis Collects, Contemporary Art Museum, St. Louis, Missouri, April 7–June 11, 2006.
The 239th Royal Academy of Arts Summer Exhibition, Royal Academy of Arts, London, June 11–August 19, 2007. (Catalogue)
Light Time and Three Dimensions, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.
What’s Your Hobby, The Fireplace Project, East Hampton, New York, August 11–29, 2007.
Contemporary, Cool and Collected, Mint Museum of Art, Charlotte, North Carolina, October 20–December 30, 2007. (Catalogue; text by Robert Hobbs)
Visions of Concern, Daniel Weinberg Collection, Chicago, October 26–December 29, 2007.
2007–2008
Sheldon Survey, An Invitational, Sheldon Memorial Art Gallery, Lincoln, Nebraska, November 9, 2007–January 6, 2008.
Sheldon Survey, An Invitational, Sheldon Memorial Art Gallery, Lincoln, Nebraska, November 9, 2007–January 6, 2008.
2008
Attention to Detail, FLAG Art Foundation, New York, January–July 31, 2008. (Catalogue; curated by Chuck Close)
Intimacy, The Fireplace Project, East Hampton, New York, August 15–25, 2008. (Curated by Anne
Pasternak)
Found!, Barbara Krakow Gallery, Boston, September 2–October 8, 2008.
Gravitas: Tara Donovan, Deborah Hede, Rebecca Holland and Susan York, Dorsky Gallery, Long Island City, New York, September 7–November 9, 2008. (Curated by Jan Riley; brochure)
Urban Landscape, McClain Gallery, Houston, September 11–October 24, 2008.
Attention to Detail, FLAG Art Foundation, New York, January–July 31, 2008. (Catalogue; curated by Chuck Close)
Intimacy, The Fireplace Project, East Hampton, New York, August 15–25, 2008. (Curated by Anne
Pasternak)
Found!, Barbara Krakow Gallery, Boston, September 2–October 8, 2008.
Gravitas: Tara Donovan, Deborah Hede, Rebecca Holland and Susan York, Dorsky Gallery, Long Island City, New York, September 7–November 9, 2008. (Curated by Jan Riley; brochure)
Urban Landscape, McClain Gallery, Houston, September 11–October 24, 2008.
2008–2009
Second Lives: Remixing the Ordinary, Museum of Arts and Design, New York, September 27, 2008–
February 15 (extended through April 19), 2009. (Catalogue; texts by Holly Hotchner, David Revere
McFadden, and Lowery Stokes Sims)
Bizarre Perfection, Israel Museum, Jerusalem, December 20, 2008–June 13, 2009. (Catalogue)
Second Lives: Remixing the Ordinary, Museum of Arts and Design, New York, September 27, 2008–
February 15 (extended through April 19), 2009. (Catalogue; texts by Holly Hotchner, David Revere
McFadden, and Lowery Stokes Sims)
Bizarre Perfection, Israel Museum, Jerusalem, December 20, 2008–June 13, 2009. (Catalogue)
2009
Shaping Space, James Cohan Gallery, New York, January 16–February 14, 2009.
Green Light, Bank of America Plaza, Charlotte, North Carolina, February 1–November 10, 2009. (Brochure)
Unfolding Process: Conceptual and Material Practice on Paper, The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, March 28–June 14, 2009. (Catalogue)
Because I Say So: Sculpture from the Collection of Dennis and Debra Scholl, The Patricia & Phillip Frost Art Museum, Florida International University, Miami, April 17– August 15, 2009. (Catalogue)
With You I Want to Live: Contemporary Paintings, Sculpture and Photographs From Two Private Fort
Lauderdale Collections—The Collection of Francie Bishop Good + David Horvitz, Museum of Art, Fort
Lauderdale, April 18–October 12, 2009. (Catalogue)
Mark-Making: Dots, Lines and Curves, Lora Reynolds Gallery, Austin, Texas, July 11–September 19, 2009.
Shaping Space, James Cohan Gallery, New York, January 16–February 14, 2009.
Green Light, Bank of America Plaza, Charlotte, North Carolina, February 1–November 10, 2009. (Brochure)
Unfolding Process: Conceptual and Material Practice on Paper, The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, March 28–June 14, 2009. (Catalogue)
Because I Say So: Sculpture from the Collection of Dennis and Debra Scholl, The Patricia & Phillip Frost Art Museum, Florida International University, Miami, April 17– August 15, 2009. (Catalogue)
With You I Want to Live: Contemporary Paintings, Sculpture and Photographs From Two Private Fort
Lauderdale Collections—The Collection of Francie Bishop Good + David Horvitz, Museum of Art, Fort
Lauderdale, April 18–October 12, 2009. (Catalogue)
Mark-Making: Dots, Lines and Curves, Lora Reynolds Gallery, Austin, Texas, July 11–September 19, 2009.
2009–2010
Elles@centrepompidou: Artistes femmes dans les collections du Centre Pompidou, Centré national d’art et de culture Georges Pompidou, Paris, May 27, 2009–May 24, 2010. (Catalogue)
Les Femmes, McClain Gallery, Houston, October 15, 2009–January 2, 2010.
Topographies, Albright-Knox Art Gallery, Buffalo, New York, November 13, 2009–February 28, 2010.
Elles@centrepompidou: Artistes femmes dans les collections du Centre Pompidou, Centré national d’art et de culture Georges Pompidou, Paris, May 27, 2009–May 24, 2010. (Catalogue)
Les Femmes, McClain Gallery, Houston, October 15, 2009–January 2, 2010.
Topographies, Albright-Knox Art Gallery, Buffalo, New York, November 13, 2009–February 28, 2010.
2010
New Year: New Work, Reynolds Gallery, Richmond, Virginia, January 6–February 20, 2010.
On the Square, PaceWildenstein, New York, January 8–February 13, 2010.
Adelaide International 2010: Apart, We Are Together, Adelaide Festival of Arts, Australia, February 26–March 14, 2010. (Catalogue)
Group exhibition, Texas Gallery, Houston, June 8–July 31, 2010.
Floor Plan, Dunn and Brown Contemporary, Dallas, June 24–August 21, 2010.
Look Again, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, June 25–October 10, 2010.
50 Years at Pace, The Pace Gallery, 510 West 25th Street, New York, September 17–October 16, 2010. (Catalogue)
New Year: New Work, Reynolds Gallery, Richmond, Virginia, January 6–February 20, 2010.
On the Square, PaceWildenstein, New York, January 8–February 13, 2010.
Adelaide International 2010: Apart, We Are Together, Adelaide Festival of Arts, Australia, February 26–March 14, 2010. (Catalogue)
Group exhibition, Texas Gallery, Houston, June 8–July 31, 2010.
Floor Plan, Dunn and Brown Contemporary, Dallas, June 24–August 21, 2010.
Look Again, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, June 25–October 10, 2010.
50 Years at Pace, The Pace Gallery, 510 West 25th Street, New York, September 17–October 16, 2010. (Catalogue)
2011
Ball Game, Dunn and Brown Contemporary, Dallas, January 29–March 12, 2011.
Artist File 2011: The NACT Annual Show of Contemporary Art, National Art Center, Tokyo, March 16–June 6, 2011.
Ball Game, Dunn and Brown Contemporary, Dallas, January 29–March 12, 2011.
Artist File 2011: The NACT Annual Show of Contemporary Art, National Art Center, Tokyo, March 16–June 6, 2011.
Selected Public Collections
Albright-Knox Art Gallery, Buffalo, New York
Birmingham Museum of Art, Alabama
Brooklyn Museum of Art, New York
Dallas Museum of Art, Texas
Daum Museum of Contemporary Art, Sedalia, Missouri
Indianapolis Museum of Art, Indiana
The Institute of Contemporary Art, Boston
Maier Museum of Art, Lynchburg, Virginia
Milwaukee Art Museum, Wisconsin
Museum of Contemporary Art San Diego, California
Saint Louis Art Museum, Missouri
Wadsworth Atheneum Museum of Art, Hartford, Connecticut
Weatherspoon Art Museum, University of North Carolina, Greensboro
Albright-Knox Art Gallery, Buffalo, New York
Birmingham Museum of Art, Alabama
Brooklyn Museum of Art, New York
Dallas Museum of Art, Texas
Daum Museum of Contemporary Art, Sedalia, Missouri
Indianapolis Museum of Art, Indiana
The Institute of Contemporary Art, Boston
Maier Museum of Art, Lynchburg, Virginia
Milwaukee Art Museum, Wisconsin
Museum of Contemporary Art San Diego, California
Saint Louis Art Museum, Missouri
Wadsworth Atheneum Museum of Art, Hartford, Connecticut
Weatherspoon Art Museum, University of North Carolina, Greensboro
Whitney Museum of American Art, New York
Selected Bibliography and Periodicals
1997
Dixon, Glen. “Bastards of Young, Options 1997” (exhibition review). Washington City Paper, 11 July 1997.
Dixon, Glen. “Bastards of Young, Options 1997” (exhibition review). Washington City Paper, 11 July 1997.
Protzman, Ferdinand. “’What’s Hot’: A Summer Show That Sizzles” (exhibition review). Washington Post, 2 August 1997.
1998
Gilbert, Chris. “Simple Matter.” New Art Examiner (December 1998).
Howell, George. “Tara Donovan.” Sculpture Magazine (May/June 1998).
James, Curtia. ”Ordinary Items Are Redefined: Sculptor Takes Innovative Approach.” Richmond Times-Dispatch, 4 April 1998.
Protzman, Ferdinand. “Industrial Strength Sculpture.” Washington Post, 22 January 1998.
Protzman, Ferdinand. “The Stuff Art Is Made On.” Washington Post, 23 July 1998.
Gilbert, Chris. “Simple Matter.” New Art Examiner (December 1998).
Howell, George. “Tara Donovan.” Sculpture Magazine (May/June 1998).
James, Curtia. ”Ordinary Items Are Redefined: Sculptor Takes Innovative Approach.” Richmond Times-Dispatch, 4 April 1998.
Protzman, Ferdinand. “Industrial Strength Sculpture.” Washington Post, 22 January 1998.
Protzman, Ferdinand. “The Stuff Art Is Made On.” Washington Post, 23 July 1998.
1999
Lewis, Joanne. “An Artist With the ‘Whorl’ At Her Feet” (exhibition review). Washington Post, 19 December 1999.
2000
Cohen, Mark Daniel. “The Whitney’s Pronciple of Inadvertency” (exhibition review). Review, 1 April 2000.
Gouveia, Georgette. “The Whitney’s Biennial Exhibition” (exhibition review). Journal News, 23 March 2000.
Hickman, Kate. “Hidden Treasures.” Kansas City Star, 24 November 2000.
Howell, George. “Tara Donovan: Material Accumulations.” Sculpture Magazine 19 (June 2000).
Preston, George Nelson. “Children of the Reckless West, Obvious Is Obvious and Lies Like Art.” Review, 1 April 2000.
Richard, Paul. “Whitney’s Sampler” (exhibition review). Washington Post, 31 March 2000.
Saltz, Jerry. “My Sixth Sense” (exhibition review). Village Voice, 29 March–4 April 2000: discussed.
Siegel, Katy. “Biennial 2000” (exhibition review). Artforum (May 2000): 171–173.
Viveros-Faune, Christian. “Whitney Biennial” (exhibition review). New York Press, 29 March–4 April 2000.
Cohen, Mark Daniel. “The Whitney’s Pronciple of Inadvertency” (exhibition review). Review, 1 April 2000.
Gouveia, Georgette. “The Whitney’s Biennial Exhibition” (exhibition review). Journal News, 23 March 2000.
Hickman, Kate. “Hidden Treasures.” Kansas City Star, 24 November 2000.
Howell, George. “Tara Donovan: Material Accumulations.” Sculpture Magazine 19 (June 2000).
Preston, George Nelson. “Children of the Reckless West, Obvious Is Obvious and Lies Like Art.” Review, 1 April 2000.
Richard, Paul. “Whitney’s Sampler” (exhibition review). Washington Post, 31 March 2000.
Saltz, Jerry. “My Sixth Sense” (exhibition review). Village Voice, 29 March–4 April 2000: discussed.
Siegel, Katy. “Biennial 2000” (exhibition review). Artforum (May 2000): 171–173.
Viveros-Faune, Christian. “Whitney Biennial” (exhibition review). New York Press, 29 March–4 April 2000.
2001
Harvey, Doug. “Multiple Exposures.” LA Weekly 22–28 June 2001.
Myers, Holly. “Delightfully Ordinary: Tara Donovan.” Los Angeles Times, 14 September 2001.
Harvey, Doug. “Multiple Exposures.” LA Weekly 22–28 June 2001.
Myers, Holly. “Delightfully Ordinary: Tara Donovan.” Los Angeles Times, 14 September 2001.
2002
Millis, Christopher. “Club Meds: Getting Off On Obsessive-Compulsive Art.” Boston Phoenix, 27 September 2002: 14.
Millis, Christopher. “Club Meds: Getting Off On Obsessive-Compulsive Art.” Boston Phoenix, 27 September 2002: 14.
2003
Baird, Daniel. “The Madness of Ordinary Material” (exhibition review). Brooklyn Rail, June–July 2003.
Belcove, Julie L. “Material Girl.” W Magazine (October 2003):222–223.
Douglas, Sarah. “Tara Donovan, Spirits in a Material World.” Flash Art (July–September 2003).
Dunn, Melissa. Flash Art (August 2003).
Fahl, David. “Final Straw” (exhibition review). Houston Press, 4 December 2003.
Frankel, David. “Tara Donovan, Ace Gallery” (exhibition review). Artforum (Summer 2003).
French, Christopher. “Tara Donovan: Haze” (exhibition review). Glass Tire (online journal), 2003.
Gertner, Jon. “Clouds in Her Coffee.” The New York Times Magazine, 30 November 2003: 116–118.
Gray, Emma. Art Review (July 2003).
Levin, Kim. “Material Girl” (exhibition review). Village Voice, 2–8 April 2003.
Pantsios, Anastasia. “Ahead of the Curve” (exhibition review). Cleveland Free Times, 12–18 November 2003.
Rauche, Robbin. Thing Review, 30 April 2003.
Smith, Roberta. “Art In Review: Tara Donovan” (exhibition review). The New York Times, 11 April 2003.
Smith, Roberta. “The Highs and Lows of 2003: The Art and Artists of the Year.” The New York Times, 28 December 2003.
Stillman, Nick. “Featured NYFA Fellow Interview: Tara Donovan.” New York Foundation for the Arts
Quarterly (Summer 2003).
Tranberg, Dan. “Double Feature.” Plain Dealer, 27 November 2003.
Tsai, Eugenie. “Tara Donovan” (exhibition review). Time Out New York, 24 April–1 May 2003.
Utter, Douglas Max. “Daily Infinities” (exhibition review). Angle (November 2003).
Wei, Lilly. “Materialist.” Art in America (October 2003):101–103.
Weschler, Lawrence. New Yorker, 21 & 28 April 2003.
Baird, Daniel. “The Madness of Ordinary Material” (exhibition review). Brooklyn Rail, June–July 2003.
Belcove, Julie L. “Material Girl.” W Magazine (October 2003):222–223.
Douglas, Sarah. “Tara Donovan, Spirits in a Material World.” Flash Art (July–September 2003).
Dunn, Melissa. Flash Art (August 2003).
Fahl, David. “Final Straw” (exhibition review). Houston Press, 4 December 2003.
Frankel, David. “Tara Donovan, Ace Gallery” (exhibition review). Artforum (Summer 2003).
French, Christopher. “Tara Donovan: Haze” (exhibition review). Glass Tire (online journal), 2003.
Gertner, Jon. “Clouds in Her Coffee.” The New York Times Magazine, 30 November 2003: 116–118.
Gray, Emma. Art Review (July 2003).
Levin, Kim. “Material Girl” (exhibition review). Village Voice, 2–8 April 2003.
Pantsios, Anastasia. “Ahead of the Curve” (exhibition review). Cleveland Free Times, 12–18 November 2003.
Rauche, Robbin. Thing Review, 30 April 2003.
Smith, Roberta. “Art In Review: Tara Donovan” (exhibition review). The New York Times, 11 April 2003.
Smith, Roberta. “The Highs and Lows of 2003: The Art and Artists of the Year.” The New York Times, 28 December 2003.
Stillman, Nick. “Featured NYFA Fellow Interview: Tara Donovan.” New York Foundation for the Arts
Quarterly (Summer 2003).
Tranberg, Dan. “Double Feature.” Plain Dealer, 27 November 2003.
Tsai, Eugenie. “Tara Donovan” (exhibition review). Time Out New York, 24 April–1 May 2003.
Utter, Douglas Max. “Daily Infinities” (exhibition review). Angle (November 2003).
Wei, Lilly. “Materialist.” Art in America (October 2003):101–103.
Weschler, Lawrence. New Yorker, 21 & 28 April 2003.
2004
Cohen, David. “Arts and Letters.” New York Sun, 11 March 2004.
Cohen, David. “Arts and Letters.” New York Sun, 11 March 2004.
Johnson, Ken. “179th Annual, National Academy Museum” (exhibition review). The New York Times, 14 May 2004.
Johnson, Ken. “The Reality of Things” (exhibition review). The New York Times, 18 June 2004.
Pincus, Robert L. “Maximum Minimalism” (exhibition review). San Diego Union-Tribune, 10 October 2004.
2005
“The Art News 200 Top Collectors: Michael Ovitz.” Art News (Summer 2005): 167, discussed.
Cascade, Rebecca. “Tara Donavan.” Art + Auction, March 2005: 40–46, illustrated.
Cohen, David. “Arts & Letters-Gallery Going: When the Rule Ruled” (exhibition review). New York Sun, 3 March 2005: 19+.
Cotter, Holland. “Art in Review: ‘Logical Conclusions’” (exhibition review). The New York Times, 18 March 2005: E42.
Glueck, Grace. “In Saint-Gaudens’s Name, Found Objects and a Goose on a Noose” (exhibition review).
The New York Times, 14 October 2005: E39, discussed.
Harris, Jane. “The ruling class: Seeking the poetic potential of neutral signs” (exhibition review). Village Voice, 16–22 March 2005: Voice Choices, 8.
Knight, Cristopher. “The Ordinary Becomes the Building Blocks of Life.” Los Angeles Times, 18 February 2005.
MacAdam. Barbara A. “Reviews: New York-Logical Conclusions, PaceWildenstein” (exhibition review). Art News 104 (June 2005): 119.
Miles, Christopher. “Tara Donovan, Ace Gallery” (exhibition review). Artforum (May 2005): 253, illustrated.
Morgan, Robert C. “Reviews: Logical Conclusions, PaceWildenstein, New York” (exhibition review). tema celeste 110 (July–August 2005): 69.
Silver, Joanne. “Modern ‘Prints’ Hold Court At MFA Exhibit” (exhibition review). Boston Herald, 11 February 2005.
Sheets, Hilarie M. “Turning Straws Into Clouds.” Art News, December 2005: 129–131, illustrated.
Vander Weg, Kara. “Tara Donovan’s Organic Chemistry.” Art on Paper (January/February 2005): 58–61.
“The Art News 200 Top Collectors: Michael Ovitz.” Art News (Summer 2005): 167, discussed.
Cascade, Rebecca. “Tara Donavan.” Art + Auction, March 2005: 40–46, illustrated.
Cohen, David. “Arts & Letters-Gallery Going: When the Rule Ruled” (exhibition review). New York Sun, 3 March 2005: 19+.
Cotter, Holland. “Art in Review: ‘Logical Conclusions’” (exhibition review). The New York Times, 18 March 2005: E42.
Glueck, Grace. “In Saint-Gaudens’s Name, Found Objects and a Goose on a Noose” (exhibition review).
The New York Times, 14 October 2005: E39, discussed.
Harris, Jane. “The ruling class: Seeking the poetic potential of neutral signs” (exhibition review). Village Voice, 16–22 March 2005: Voice Choices, 8.
Knight, Cristopher. “The Ordinary Becomes the Building Blocks of Life.” Los Angeles Times, 18 February 2005.
MacAdam. Barbara A. “Reviews: New York-Logical Conclusions, PaceWildenstein” (exhibition review). Art News 104 (June 2005): 119.
Miles, Christopher. “Tara Donovan, Ace Gallery” (exhibition review). Artforum (May 2005): 253, illustrated.
Morgan, Robert C. “Reviews: Logical Conclusions, PaceWildenstein, New York” (exhibition review). tema celeste 110 (July–August 2005): 69.
Silver, Joanne. “Modern ‘Prints’ Hold Court At MFA Exhibit” (exhibition review). Boston Herald, 11 February 2005.
Sheets, Hilarie M. “Turning Straws Into Clouds.” Art News, December 2005: 129–131, illustrated.
Vander Weg, Kara. “Tara Donovan’s Organic Chemistry.” Art on Paper (January/February 2005): 58–61.
2006
Baker, R.C. “Art: Best in Show–Tara Donovan” (PaceWildenstein exhibition review). The Village Voice, 16–22 August 2006: 52.
Bonetti, David. “Tara Donovan and Catharina van Eetvelde.” (Saint Louis Art Museum exhibition review). St. Louis Dispatch, 30 September 2006: illustrated.
Cascade, Rebecca. “Tara Donovan.” Art + Auction 29 (March 2006): 5, 40–46, illustrated.
Cohen, David. “Gallery Going: The Greats in the Galleries.” The New York Sun, 28 December 2006.
Conley, Kevin, ed. “Tara Donovan at PaceWildenstein.” New Yorker, 21 August 2006: 13.
Dolnick, Sam. “I Heart Art: It’s Just Plastic Cups. Or Is It?” (PaceWildenstein exhibition review). Sioux City Journal, 6 April 2006.
Donovan, Tara. “Material Seduction.” Interview by Oriane Stender. Artnet.com, 5 April 2006.
http://www.artnet.com/.
Elcott, Noam. “Reviews: Tara Donovan, PaceWildenstein” (exhibition review). Time Out New York, 6–12 April 2006: 95, illustrated.
“Galleries-Chelsea: Tara Donovan” (PaceWildenstein exhibition review). The New Yorker, 10 April 2006: 12.
Goodrich, John. “Arts and Letters, Gallery-Going: Strange Visions of Exotic Lands” (PaceWildenstein
exhibition review). New York Sun, 13 April 2006: 15.
Grosz, David. “Arts & Letters, Gallery-Going: Two Exercises in Stretching” (PaceWildenstein exhibition review). New York Sun, 27 July 2006:17, illustrated.
Grosz, David. “Arts & Letters, Gallery-Going: Unfinished Business” (Whitney Museum of American Art at Altria exhibition preview). New York Sun, 7 December 2006.
Johnson, Ken. “Art in Review: Tara Donovan, PaceWildenstein” (exhibition review). The New York Times, 24 March 2006: E31.
Leffingwell, Edward. “Tara Donovan at PaceWildenstein” (exhibition review). Art in America (June/July 2006): 185, illustrated.
Morain, Michael. “Cleanup in ‘Aisle 5’? Not Here” (Des Moines Art Center exhibition review). Des Moines Register, 29 October 2006.
McQuaid, Cate. “Minimalist Touch Makes the Most of Everyday Materials” (Barbara Krakow Gallery
exhibition review). The Boston Globe, 2 November 2006.
New Glass Review 27. Corning Museum of Glass, New York (2006): 85, illustrated.
Olson, Kristina. “Tara Donovan, New York” (PaceWildenstein exhibition review). Art Papers (July/August 2006): 66, illustrated.
“Pick of the Month: 3. Tara Donovan, Untitled (Plastic Cups)” (PaceWildenstein exhibition review). Creative Review, June 2006: 52–53, illustrated.
Roberts, Bryony. “Art in the City: Beer Pong, Anyone?” (PaceWildenstein exhibition review). The L
Magazine, 12 December 2006: 58.
Saltz, Jerry. “Art: Heaps and Consequences” (PaceWildenstein exhibition review). Village Voice, 5–11 April 2006: c73, illustrated.
“Tara Donovan” (PaceWildenstein exhibition review.) The Village Voice, 19–25 April 2006: 72.
Wientraub, Linda. “Tara Donovan, PaceWildenstein, New York” (exhibition review). Tema Celeste
(July/August 2006): 68.
Baker, R.C. “Art: Best in Show–Tara Donovan” (PaceWildenstein exhibition review). The Village Voice, 16–22 August 2006: 52.
Bonetti, David. “Tara Donovan and Catharina van Eetvelde.” (Saint Louis Art Museum exhibition review). St. Louis Dispatch, 30 September 2006: illustrated.
Cascade, Rebecca. “Tara Donovan.” Art + Auction 29 (March 2006): 5, 40–46, illustrated.
Cohen, David. “Gallery Going: The Greats in the Galleries.” The New York Sun, 28 December 2006.
Conley, Kevin, ed. “Tara Donovan at PaceWildenstein.” New Yorker, 21 August 2006: 13.
Dolnick, Sam. “I Heart Art: It’s Just Plastic Cups. Or Is It?” (PaceWildenstein exhibition review). Sioux City Journal, 6 April 2006.
Donovan, Tara. “Material Seduction.” Interview by Oriane Stender. Artnet.com, 5 April 2006.
http://www.artnet.com/.
Elcott, Noam. “Reviews: Tara Donovan, PaceWildenstein” (exhibition review). Time Out New York, 6–12 April 2006: 95, illustrated.
“Galleries-Chelsea: Tara Donovan” (PaceWildenstein exhibition review). The New Yorker, 10 April 2006: 12.
Goodrich, John. “Arts and Letters, Gallery-Going: Strange Visions of Exotic Lands” (PaceWildenstein
exhibition review). New York Sun, 13 April 2006: 15.
Grosz, David. “Arts & Letters, Gallery-Going: Two Exercises in Stretching” (PaceWildenstein exhibition review). New York Sun, 27 July 2006:17, illustrated.
Grosz, David. “Arts & Letters, Gallery-Going: Unfinished Business” (Whitney Museum of American Art at Altria exhibition preview). New York Sun, 7 December 2006.
Johnson, Ken. “Art in Review: Tara Donovan, PaceWildenstein” (exhibition review). The New York Times, 24 March 2006: E31.
Leffingwell, Edward. “Tara Donovan at PaceWildenstein” (exhibition review). Art in America (June/July 2006): 185, illustrated.
Morain, Michael. “Cleanup in ‘Aisle 5’? Not Here” (Des Moines Art Center exhibition review). Des Moines Register, 29 October 2006.
McQuaid, Cate. “Minimalist Touch Makes the Most of Everyday Materials” (Barbara Krakow Gallery
exhibition review). The Boston Globe, 2 November 2006.
New Glass Review 27. Corning Museum of Glass, New York (2006): 85, illustrated.
Olson, Kristina. “Tara Donovan, New York” (PaceWildenstein exhibition review). Art Papers (July/August 2006): 66, illustrated.
“Pick of the Month: 3. Tara Donovan, Untitled (Plastic Cups)” (PaceWildenstein exhibition review). Creative Review, June 2006: 52–53, illustrated.
Roberts, Bryony. “Art in the City: Beer Pong, Anyone?” (PaceWildenstein exhibition review). The L
Magazine, 12 December 2006: 58.
Saltz, Jerry. “Art: Heaps and Consequences” (PaceWildenstein exhibition review). Village Voice, 5–11 April 2006: c73, illustrated.
“Tara Donovan” (PaceWildenstein exhibition review.) The Village Voice, 19–25 April 2006: 72.
Wientraub, Linda. “Tara Donovan, PaceWildenstein, New York” (exhibition review). Tema Celeste
(July/August 2006): 68.
2007
Baker, Kenneth. “Artist’s floor installation is made of pencils – lots and lots of pencils – but that’s not the point” (Berkeley Art Museum exhibition review). SFGate.com, 13 January 2007. http://www.sfgate.com/.
“Light, Time, and Three Dimensions” (exhibition review). The New Yorker, 13 August 2007: 13.
“Medium Cool: Installation—Tara Donovan.” Time Out New York, 29 November–5 December 2007: 78, illustrated.
Neil, Jonathan T.D. “The Emergent Artist.” Art Review (July and August 2007): 52–59, illustrated; cover.
“On the Horizon: Art—Circular Logic” (Metropolitan Museum of Art exhibition preview). The New Yorker, 5 November 2007: 26, illustrated,
Schwendener, Martha. “Tara Donovan: Metropolitan Museum of Art” (exhibition review). The New York Times, 7 December 2007: E42.
Scott, Andrea K. “Art in Review: Burgeoning Geometries: Constructed Abstractions” (exhibition review). The New York Times, 5 January 2007: E42, discussed.
Stringfield, Anne. “People Are Talking About Art: Material World.” Vogue (November 2007): 280, illustrated.
“Out & About: Art - Tara Donovan” (Metropolitan Museum of Art exhibition preview). Blueprint
(November/December 2007): 135, illustrated.
Baker, Kenneth. “Artist’s floor installation is made of pencils – lots and lots of pencils – but that’s not the point” (Berkeley Art Museum exhibition review). SFGate.com, 13 January 2007. http://www.sfgate.com/.
“Light, Time, and Three Dimensions” (exhibition review). The New Yorker, 13 August 2007: 13.
“Medium Cool: Installation—Tara Donovan.” Time Out New York, 29 November–5 December 2007: 78, illustrated.
Neil, Jonathan T.D. “The Emergent Artist.” Art Review (July and August 2007): 52–59, illustrated; cover.
“On the Horizon: Art—Circular Logic” (Metropolitan Museum of Art exhibition preview). The New Yorker, 5 November 2007: 26, illustrated,
Schwendener, Martha. “Tara Donovan: Metropolitan Museum of Art” (exhibition review). The New York Times, 7 December 2007: E42.
Scott, Andrea K. “Art in Review: Burgeoning Geometries: Constructed Abstractions” (exhibition review). The New York Times, 5 January 2007: E42, discussed.
Stringfield, Anne. “People Are Talking About Art: Material World.” Vogue (November 2007): 280, illustrated.
“Out & About: Art - Tara Donovan” (Metropolitan Museum of Art exhibition preview). Blueprint
(November/December 2007): 135, illustrated.
2008
“Artworld: Awards & Grants.” Art in America (November 2008): 214.
Cohen, Patricia. “25 Receive $500,000 ‘Genius’ Fellowships.” New York Times, 23 September 2008: E1, E6.
Esplund, Lance. “Magician of Man-Made Materials.” The Wall Street Journall, 24 December 2008: illus.
Frost, Jess. “Innovative Public Art ‘to Trip Over’ in Springs” (Fireplace Project exhibition review). East Hampton Star, 14 August 2008: C3, illustrated.
Grosz, David. “(Un)Natural Order” (Metropolitan Museum of Art exhibition review). Artinfo.com, 8 January 2008.
Kino, Carol. “The Genius of Little Things.” New York Times, 28 September 2008: Art Section, 28, illustrated.
Kino, Carol. “Recreating nature with plastic and glass” (Pace Prints exhibition review). The Global Edition of The New York Times, 27–28 September 2008: Art section, 6, illustrated.
MacAdam, Barbara A. “The Shape of Things to Come.” Art News 107, no. 4 (April 2008): 106.
Mack, Joshua. “Special Focus: Reviews Marathon, New York––Tara Donovan, Metropolitan Museum of Art” (exhibition review). Art Review, no. 19 (February 2008): 64.
Miller, Francine Koslow. “Boston: Tara Donovan, The Institute of Contemporary Art” (exhibition review).
Artforum.com, http://www.artforum.com/ (accessed 26 November 2008).
“National News—News Briefs—2008 MacArthur Fellows.” Art News 107, no. 10 (November 2008): 94.
Sholis, Brian. “Reviews: Tara Donovan” (Institute of Contemporary Art exhibition review). Artforum 47, no. 1
(September 2008): 204.
Smee, Sebastian. “Delight in detail” (Institute of Contemporary Art exhibition review). Boston Globe, 10 October 2008: illustrated.
http://www.boston.com/ae/theater_arts/articles/2008/10/10/delight_in_detail/
Solway, Diane. “Grand Illusion: In her home as in her art. Tara Donovan creates a world of wonders.” W Magazine (September 2008): 362, 364, illustrated.
“What’s On: Boston—Tara Donovan” (Institute of Contemporary Art exhibition review). The Art Newspaper 17, no. 195 (October 2008): 75.
“Artworld: Awards & Grants.” Art in America (November 2008): 214.
Cohen, Patricia. “25 Receive $500,000 ‘Genius’ Fellowships.” New York Times, 23 September 2008: E1, E6.
Esplund, Lance. “Magician of Man-Made Materials.” The Wall Street Journall, 24 December 2008: illus.
Frost, Jess. “Innovative Public Art ‘to Trip Over’ in Springs” (Fireplace Project exhibition review). East Hampton Star, 14 August 2008: C3, illustrated.
Grosz, David. “(Un)Natural Order” (Metropolitan Museum of Art exhibition review). Artinfo.com, 8 January 2008.
Kino, Carol. “The Genius of Little Things.” New York Times, 28 September 2008: Art Section, 28, illustrated.
Kino, Carol. “Recreating nature with plastic and glass” (Pace Prints exhibition review). The Global Edition of The New York Times, 27–28 September 2008: Art section, 6, illustrated.
MacAdam, Barbara A. “The Shape of Things to Come.” Art News 107, no. 4 (April 2008): 106.
Mack, Joshua. “Special Focus: Reviews Marathon, New York––Tara Donovan, Metropolitan Museum of Art” (exhibition review). Art Review, no. 19 (February 2008): 64.
Miller, Francine Koslow. “Boston: Tara Donovan, The Institute of Contemporary Art” (exhibition review).
Artforum.com, http://www.artforum.com/ (accessed 26 November 2008).
“National News—News Briefs—2008 MacArthur Fellows.” Art News 107, no. 10 (November 2008): 94.
Sholis, Brian. “Reviews: Tara Donovan” (Institute of Contemporary Art exhibition review). Artforum 47, no. 1
(September 2008): 204.
Smee, Sebastian. “Delight in detail” (Institute of Contemporary Art exhibition review). Boston Globe, 10 October 2008: illustrated.
http://www.boston.com/ae/theater_arts/articles/2008/10/10/delight_in_detail/
Solway, Diane. “Grand Illusion: In her home as in her art. Tara Donovan creates a world of wonders.” W Magazine (September 2008): 362, 364, illustrated.
“What’s On: Boston—Tara Donovan” (Institute of Contemporary Art exhibition review). The Art Newspaper 17, no. 195 (October 2008): 75.
2009
Hudson, Suzanne. “Tara Donovan” (Institute of Contemporary Art exhibition review). Artforum, January
2009: 204.
Johnson, Ken. “Well-Behaved Street-Corner Sculpture.” The New York Times, 24 July 2009: C21, C23, illustrated.
McTighe, Monica. “Future Anterior: an index to contemporary art’s imminent history—Tara Donovan”
(Institute of Contemporary Art exhibition review). Art Papers (January/February 2009): 51, illustrated.
Merjian, Ara H. “Tara Donovan” (Institute of Contemporary Art exhibition review). Frieze Magazine, no. 121 (March 2009): 157, illustrated.
Morain, Michael. “Artist inspires awe and wonder with sublime works built from everyday items” (Des Moines Art Center exhibition review). Des Moines Register, 29 June 2009: illustrated.
http://www.desmoinesregister.com/
Moriarty, Bridget. “Smash Success” (exhibition preview). Art + Auction (April 2009): illustrated.
http://www.artinfo.com/news/story/30913/smash-success/
Simblist, Noah. “Mark-Making: Dots, Lines and Curves, Austin, TX” (exhibition review). Art Papers
(November/December 2009): 50–51, discussed.
Hudson, Suzanne. “Tara Donovan” (Institute of Contemporary Art exhibition review). Artforum, January
2009: 204.
Johnson, Ken. “Well-Behaved Street-Corner Sculpture.” The New York Times, 24 July 2009: C21, C23, illustrated.
McTighe, Monica. “Future Anterior: an index to contemporary art’s imminent history—Tara Donovan”
(Institute of Contemporary Art exhibition review). Art Papers (January/February 2009): 51, illustrated.
Merjian, Ara H. “Tara Donovan” (Institute of Contemporary Art exhibition review). Frieze Magazine, no. 121 (March 2009): 157, illustrated.
Morain, Michael. “Artist inspires awe and wonder with sublime works built from everyday items” (Des Moines Art Center exhibition review). Des Moines Register, 29 June 2009: illustrated.
http://www.desmoinesregister.com/
Moriarty, Bridget. “Smash Success” (exhibition preview). Art + Auction (April 2009): illustrated.
http://www.artinfo.com/news/story/30913/smash-success/
Simblist, Noah. “Mark-Making: Dots, Lines and Curves, Austin, TX” (exhibition review). Art Papers
(November/December 2009): 50–51, discussed.
2010
Art News 109, no. 7 (Summer 2010): cover/
“January Must-Sees: 5 Questions for Tara Donovan.” Town and Country (January 2010): 55, illustrated.
Art News 109, no. 7 (Summer 2010): cover/
“January Must-Sees: 5 Questions for Tara Donovan.” Town and Country (January 2010): 55, illustrated.
2011
Belcove, Julie L. “Signs of Life.” Art Economist 1, no. 1 (January 2011: 14–17, illustrated.
Fenson, Sarah E. “Pinpoint Precision” (The Pace Gallery exhibition review). Art & Antiques (March 2011): 24, illustrated.
Heinrich, Will. “Big Pins in Bloom” (The Pace Gallery exhibition review). New York Observer, 28 February 2011: illustrated.
Muhlke, Christine. “The Right Stuff: Tara Donovan is the Ultimate Material Girl.” T Magazine, 11 February 2011. http://tmagazine.blogs.nytimes.com/2011/02/11/the-right-stuff-tara-donovan-is-the-ultimate-materialgirl/
Scheer, George. “Look Again, Winston-Salem, NC” (exhibition review). Art Papers (March/April 2001): 60, installation view.
Belcove, Julie L. “Signs of Life.” Art Economist 1, no. 1 (January 2011: 14–17, illustrated.
Fenson, Sarah E. “Pinpoint Precision” (The Pace Gallery exhibition review). Art & Antiques (March 2011): 24, illustrated.
Heinrich, Will. “Big Pins in Bloom” (The Pace Gallery exhibition review). New York Observer, 28 February 2011: illustrated.
Muhlke, Christine. “The Right Stuff: Tara Donovan is the Ultimate Material Girl.” T Magazine, 11 February 2011. http://tmagazine.blogs.nytimes.com/2011/02/11/the-right-stuff-tara-donovan-is-the-ultimate-materialgirl/
Scheer, George. “Look Again, Winston-Salem, NC” (exhibition review). Art Papers (March/April 2001): 60, installation view.
1
Rankings and other Exhibition Info.
2
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Sources:
1 "Tara Donovan Biography." Barbarakrakowgallery.com. N.p., n.d. Web. 06 Nov. 2012.2 "Tara Donovan 1969, US." Artfacts.net. N.p., n.d. Web. 04 Nov. 2012.
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